Collage Play with Crowabout

I recently joined an online collage-challenge group:
Collage Play with Crowabout ~ Nancy Baumiller's Flickr group for weekly collage challenges. She supplies us with a collage sheet of random images once a week on Saturdays, and we have until Friday to complete a collage piece of our own using those supplied images.

We're supposed to use at least three of the images in our own piece (though ideally you'd use them all in some fashion), and any other images or mediums are not only allowed but encouraged. I've seen many people use their own imagery in both handpieced paper collage as well as many wonderful digitally produced pieces - however these are my own self-imposed rules for my weekly pages:

1) Must use each & every image Nancy suplies (whether in whole or part)
2) Must use ONLY those images! no other printed or found images or items
3) Tools and media allowed such as paper punches, paints, markers, pens, chalks, etc.

Thought I would use this past week's page to do a step-by-step procedure posting on how I create my pages, which I am doing in a 10" by 7" spiral bound journal book. And here we go!

First thing I do of course is print out Nancy's collage page, on a letter size page of plain white cardstock. I usually adjust the brightness and contrast a bit in Photoshop first, so that the printed images are clear and bright. Then I color my page background, using either watercolors, pastels (chalks), art crayons, or - as in this case - direct to paper inking. I just randomly apply color in two to four shades, contrasting or co-ordinating depending on my whim of the day:

I then cut out all the pieces as they are on the page, and start figuring out what can become what. At this point I don't usually have any idea for an overall page theme or design, I just let it come to me as the individual elements work themselves out. Right off the bat here I see the two orangey striped triangles as legs, and as I try to incorporate a character or figure into all my pages, I know that's where I will start. I cut out bits and pieces until I've created these folks:

I like'em! but now what? Originally I'd intended to use the partial clockface as an umbrella, but once the figures were done I decided I would make it into the arch over the top of a doorway, which led to the idea of having the couple welcoming the viewer into their home. This is where I used the leftover sliver of home interior image and the large wood piece to create the doorway and door. I didn't like the blue BG showing through, so I painted behind that with a mix of ivory and burnt umber craft paints. Though it now looks as though a waterfall is pouring through their entryway - eyeroll

Now my page theme is taking shape ~ I see the cracker images as headstones, so I cut them smaller and add a bit of the text imagery for the "names" , and I decide to stagger them along a path of some sort ... I used the chickenwire image as a fence, and drew in my own path, utilizing my horribly disjointed sense of direction and perspective (is it a tomb tree? a funnelcloud? Jack's beanstalk, or what?!) to make a pathway meandering through the couple's yard, littering it with the dead along the way ...

Finally I add my *handwritten text (PITT pen): "The Bailey's Welcomed Everyone to Stay ... Permanently ..." to show my charming couple inviting you to enter their home, 'cept you don't realize there's only one way out and it ain't the way ya came in!

I also outlined everything in white Signo gelpen to help it standout - and I ink all the edges of the individual pieces with shades of brown before they are glued down to the page, using either Sharpies or inkpads, depending.

Now, I love the couple! and I like the "story" behind it, but overall I don't care for the entire piece as a whole. Yes, I AM my own harshest critic, but don't feel you have to comfort me or boost me up! - 'cause while I am definitely hypercritical, I am also usually my own biggest fan and that side tends to win out in the end : )

*One of the group members had asked for input on how everyone was doing their hadwritten journaling on the pages, and this is what I sent her, thought I'd included it here too for anyone else interested in my own lettering process ...

Take care now and havva GREAT day!
~ gem ~

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First, get some good gel pens and markers (I like Signo gelpen in white, PITT ink pens or ZIG Millenium memory book writers, and of course SHARPIES - note the new Sharpie pens, they are fine line Sharpies in black or blue ink but no bleedthrough on your paper ...

If you look at my 2 most recent Crowabout collages, they both have lettering I did freehand right to the paper. And you can really tell the difference between those and the previous 2 which I did in my USUAL manner of writing, which is:

1) After the collage is done, I write out my text on a piece of scrap paper until I get the exact wording I want.

2) I take a thin sheet of writing or drawing paper (or tracing paper if need be) and lay that over the section of the collage that will be journaled on, drawing an outline of the basic shape of the area in pencil. Then either using a ruler or freehand (depending if I want say, curvy or shaped lines of text) I mark out my lines -

3) I practice writing my text block (still in pencil) on these lines until I get it layed out evenly and spaced how I'd like. Once I'm happy with it -

4) I carefully and LIGHTLY draw pencil guidelines on the collage itself. Then I copy the text from my practice page onto the collage in pencil, (just by eyeballing it, making any adjustments if need be) and once I have THAT done and am satisfied it's exactly how I want it, I go over the lettering in my choice of pen or marker.

5) Gently erase all the pencil marks including the guidelines (this can be a bit tricky if your BG is in say chalk or pastels like alot of mine are!) and then go over the letters again in your pen/marker, this time adding little flourishes or thickening the edges, etc ...

6) Accent with another color marker or outline in contrasting ink, whatever you want and TaDa! you've handlettered your page!

I know it sounds like alot of work and while I don't do EVERY page like this, it is how I prefer to do it (but that's cause I'm a nitpicking perfectionist so take that for what it's worth), but I think you can see the difference in those pages where I have done my method VS freehanding it all the way ... all in all it's at the very least good practice at lettering so that eventually you'll be able to just write away directly to your pages :)

Hope that helps give you some idea of how to go about it and that you see not all of us are supremely talented at journaling and handlettering - we gotta work at it! (though I do envy those who can just straight up write the page out freehand and have it look all font-perfect, grrr!)
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Watercolor BG with Salt Technique

Finally getting this how-to done! Although the actual process pics and pages I am showing you today were made back in May, I am just NOW getting around to them ... but I am working on another piece right now that started with a "salted" watercolor background paper, so before I post any tutorials for that one I figured I better get the steps for the background technique posted first ...

I always use watercolor paper for these, but I will use anything from the nicer 140lb coldpress to just a sheet from a cheap discount store watercolor pad. I typically make these background papers in batches of 3-6 pages at a time in maybe one or two color variations, on days when I am bored or don't have any other pressing projects to do. (Some days just scream "make backgrounds!" you know?) Then I have a nice stock of papers to go to when I need to start a new project later. (I also do the BGs for several pages in my journal books at the same time, since I already have the stuff out. It's nice to open the journal and have a whole bunch of pre-colored pages to work on)

I assembled the supplies I'll be using and laid them out on newspaper:

Sheet(s) of watercolor paper
Assorted watercolors - tube paints, watercolor cakes in regular and metallic (Coloriffic Metallic Shimmering Watercolors are a poor-mans Lumieres / Twinkling H2O's!)
Paintbrushes - I'm using the 1" hardware store nylon bristle type for the tube colors, and a smaller half inch brush for the cakes
Pan of water and small spray bottle of water
Cuppa salt! I only use kosher salt (the kind you cook with) though probably sea salt or any course salt would work too. You can try table salt but I think all you'll get with that is some pretty sandpaper ; ) WHICH! could be cool in a project too, so - I dunno, try it!

I start by wetting my entire sheet of paper by spritzing with the spray bottle then spreading it with a brush. I apply my chosen colors either straight from the tubes onto the paper or (in the photo shown) by using the pan colors that have been pre-wetted. I just randomly add color with the brush in an abstract fashion, sometimes adding a bit more water, and letting the paints run and bleed into one another until I have the mix and coverage that I want. *With the direct from the tube method, I squirt small dollops of paint randomly about the page and then work them together and into the paper with the brush. I usually let this stage get jussst this side of dry, then I take the spray bottle and spritz a bit to add droplets that will bleed and blend the colors even more. THAT itself will add little waterspots (you can vary them by applying the spray in a fine mist and larger splat-drops - sometimes I get it dowright wet, just depends on my mood really) and if you want you can stop here and let it dry and that will be a very fine BG paper

But I like to get a much more marbled, waterstained effect so this is when I add my salt - while the paper is still a bit damp - just sprinkling small handfuls all around, 'til I'm satisfied with the amount. The salt crystals wick up the remaining "pools" of water, along with some of the paint pigment, in whatever little spot they were sitting. Wait until the paper is totally dry, then brush all the salt off and voila! what's left behind is a neat bunch of little dotted areas where the salt "ate" the paint & water, giving your page a dappled look, and refining and melding some of those areas where your paint colors met and maybe didn't look so blended before.

Here's the end result on the pages I made that day, including one in a journal (that one I didn't salt but used alotttta water in the paint and just let it pool up together - came out pretty cool) Be sure to click on it to view it at fullsize so you can really see the details.

This is my ALL TIME FAVORITE page background making technique, and I hope you enjoyed reading it (or at least understood what I was saying!) and are ready to get out your art supplies and make some BGs of your own ... Have fun painting!


~ gem ~

SuziBlu, I Heart You

Heya, quickquickQUICK flyby posting ~
(Zetti postcard steps coming later in the week, just no can do today)

So I was wandering around over at Flick'r, and through some collage group that had a companion website of it's own, I found a link to this gal: SuziBlu - and I had to run right over and share her 'cause She.Is.The.Most.Cutiest.Thing.EVER! Watch ALLLL the videos. Right now!
Save her blog in your faves!

Okay, seriously - I am not typically one of those people who finds it hard to get motivated or inspired or am too afraid to make art ... I do some kinda art practically every day, any time I can. I don't run out of ideas or desires to try something new, or something old in a new way. But even I was comPLETEly inspired and motivated and just generally excited about making art by this snappy lil chick. Something about her entire attitude & presentation is just irresistable.

So for anyone who STILL thinks they can't make art - you'll really enjoy the journal making videos, go watch'em again and then go do art!

~ gem ~

Art Journal Letter

So, sadly - one of the players in the Artist's Bakers Dozen swap at Nervousness got flaked on - I offered to send a new package on to her and that entailed creating another personal letter in art journal style. Here is the finished product and the original blank BG I made (I posted the background layout on Flick'r prior to adding my text ...)

- be sure to view full size -

Basic watercolor wash on sketchpad paper ... stamped on with some random foam and rubber stamp flower images (this was a fairly old BG paper I dug out of my stash, I wanted a lightweight paper as opposed to my usual textured watercolor paper) then I added some images - magazine clipping and vintage bird drawings printed on the computer, with a little acrylic paint wash added around those - the textlines and accent outlines in white gel pen, and finally my journal text in fineline Sharpie. I took my content cue from the imagery I'd created, and related a quick little (multi)bird story from my own life. I tend to be short and sweet with any of my journalish projects, so even though this was technically supposed to be a full-on "letter" (and I could have rambled on a few more bird things but ran outta writing space on this one) - overall I'm calling it a success.


Oh and I haven't gotten a chance to sit'n sew yet ... soon, I hope!

~ gem ~

Journal Style Letter

So, I'm in this swap at Nervousness right now and one of the items we're to send our partner is a personal letter in journal style. I don't really like to write so I kinda agonized over this and waited til the last minute to finish it, but here it is:

The paper is handpainted with my standard BG technique (see previous posting) and then collaged just a bit with some magazine and computer printed images, plus some vinyl stickers - lines were added with an acrylic paint wash. The writing was done in Sharpie (after many attempts with PITT pens, Flairs, ZIGs) - the Sharpie just let me work alot faster, and it didn't turn out TOO bad, even with my horrible hodgepodge mess of handwriting (I've always envied those journal'ers who had font-perfect writing!) Accents were added with my new favorite! White Gel Pen - and I colored in some of the letters (which I wasn't crazy about afterwards, but -eh- I can nitpick anything I've made to death so may as well just stop now). Anyway it's done, it's true to what I was feeling when I wrote it, and hopefully will speak to the recipient in some way.

Now I gotta jet - summertime is upon us and the end of the school year is SO busy I can barely keep up ... just gotta tough it out a couple more weeks then sweeet sweeet summer ... ahhhh. Love it!

~ gem ~