Collage Play with Crowabout

I recently joined an online collage-challenge group:
Collage Play with Crowabout ~ Nancy Baumiller's Flickr group for weekly collage challenges. She supplies us with a collage sheet of random images once a week on Saturdays, and we have until Friday to complete a collage piece of our own using those supplied images.

We're supposed to use at least three of the images in our own piece (though ideally you'd use them all in some fashion), and any other images or mediums are not only allowed but encouraged. I've seen many people use their own imagery in both handpieced paper collage as well as many wonderful digitally produced pieces - however these are my own self-imposed rules for my weekly pages:

1) Must use each & every image Nancy suplies (whether in whole or part)
2) Must use ONLY those images! no other printed or found images or items
3) Tools and media allowed such as paper punches, paints, markers, pens, chalks, etc.

Thought I would use this past week's page to do a step-by-step procedure posting on how I create my pages, which I am doing in a 10" by 7" spiral bound journal book. And here we go!

First thing I do of course is print out Nancy's collage page, on a letter size page of plain white cardstock. I usually adjust the brightness and contrast a bit in Photoshop first, so that the printed images are clear and bright. Then I color my page background, using either watercolors, pastels (chalks), art crayons, or - as in this case - direct to paper inking. I just randomly apply color in two to four shades, contrasting or co-ordinating depending on my whim of the day:

I then cut out all the pieces as they are on the page, and start figuring out what can become what. At this point I don't usually have any idea for an overall page theme or design, I just let it come to me as the individual elements work themselves out. Right off the bat here I see the two orangey striped triangles as legs, and as I try to incorporate a character or figure into all my pages, I know that's where I will start. I cut out bits and pieces until I've created these folks:

I like'em! but now what? Originally I'd intended to use the partial clockface as an umbrella, but once the figures were done I decided I would make it into the arch over the top of a doorway, which led to the idea of having the couple welcoming the viewer into their home. This is where I used the leftover sliver of home interior image and the large wood piece to create the doorway and door. I didn't like the blue BG showing through, so I painted behind that with a mix of ivory and burnt umber craft paints. Though it now looks as though a waterfall is pouring through their entryway - eyeroll

Now my page theme is taking shape ~ I see the cracker images as headstones, so I cut them smaller and add a bit of the text imagery for the "names" , and I decide to stagger them along a path of some sort ... I used the chickenwire image as a fence, and drew in my own path, utilizing my horribly disjointed sense of direction and perspective (is it a tomb tree? a funnelcloud? Jack's beanstalk, or what?!) to make a pathway meandering through the couple's yard, littering it with the dead along the way ...

Finally I add my *handwritten text (PITT pen): "The Bailey's Welcomed Everyone to Stay ... Permanently ..." to show my charming couple inviting you to enter their home, 'cept you don't realize there's only one way out and it ain't the way ya came in!

I also outlined everything in white Signo gelpen to help it standout - and I ink all the edges of the individual pieces with shades of brown before they are glued down to the page, using either Sharpies or inkpads, depending.

Now, I love the couple! and I like the "story" behind it, but overall I don't care for the entire piece as a whole. Yes, I AM my own harshest critic, but don't feel you have to comfort me or boost me up! - 'cause while I am definitely hypercritical, I am also usually my own biggest fan and that side tends to win out in the end : )

*One of the group members had asked for input on how everyone was doing their hadwritten journaling on the pages, and this is what I sent her, thought I'd included it here too for anyone else interested in my own lettering process ...

Take care now and havva GREAT day!
~ gem ~

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First, get some good gel pens and markers (I like Signo gelpen in white, PITT ink pens or ZIG Millenium memory book writers, and of course SHARPIES - note the new Sharpie pens, they are fine line Sharpies in black or blue ink but no bleedthrough on your paper ...

If you look at my 2 most recent Crowabout collages, they both have lettering I did freehand right to the paper. And you can really tell the difference between those and the previous 2 which I did in my USUAL manner of writing, which is:

1) After the collage is done, I write out my text on a piece of scrap paper until I get the exact wording I want.

2) I take a thin sheet of writing or drawing paper (or tracing paper if need be) and lay that over the section of the collage that will be journaled on, drawing an outline of the basic shape of the area in pencil. Then either using a ruler or freehand (depending if I want say, curvy or shaped lines of text) I mark out my lines -

3) I practice writing my text block (still in pencil) on these lines until I get it layed out evenly and spaced how I'd like. Once I'm happy with it -

4) I carefully and LIGHTLY draw pencil guidelines on the collage itself. Then I copy the text from my practice page onto the collage in pencil, (just by eyeballing it, making any adjustments if need be) and once I have THAT done and am satisfied it's exactly how I want it, I go over the lettering in my choice of pen or marker.

5) Gently erase all the pencil marks including the guidelines (this can be a bit tricky if your BG is in say chalk or pastels like alot of mine are!) and then go over the letters again in your pen/marker, this time adding little flourishes or thickening the edges, etc ...

6) Accent with another color marker or outline in contrasting ink, whatever you want and TaDa! you've handlettered your page!

I know it sounds like alot of work and while I don't do EVERY page like this, it is how I prefer to do it (but that's cause I'm a nitpicking perfectionist so take that for what it's worth), but I think you can see the difference in those pages where I have done my method VS freehanding it all the way ... all in all it's at the very least good practice at lettering so that eventually you'll be able to just write away directly to your pages :)

Hope that helps give you some idea of how to go about it and that you see not all of us are supremely talented at journaling and handlettering - we gotta work at it! (though I do envy those who can just straight up write the page out freehand and have it look all font-perfect, grrr!)
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AFC Pink Inchies

Here's my first step for the process of a new project I am currently working on: Pink Inchies - created for a charity art auction for breast cancer awareness via Art For Cures, which is run by the super talented, ever-creative, fount of seemingly endless energy Renmeleon (Ria) ...

I started with a 9x12 sheet of 140lb watercolor paper I prepped using my salted watercolor BG technique, using some metallic pan watercolor and a bit of red-pink tube color that I watered way down and used as a wash on parts of the front as well as the entire reverse of the paper, to give just a bit of color to the back of the pieces instead of leaving them white (I don't feel a piece is really finished unless I've done something to the back as well, so most of my paperart work will usually be arted on both the front and back in some way)

We're supposed to be using Ria's "collage 88" technique, in which you collage your entire work on one single 8.5x11 paper then cut it up into 88 inchies, and then add any embellishements or whatever. Which is actually the way I normally do a set of inchies anyway (paint, collage, etc an entire BG sheet, then cut the squares, then add "extras") I'm just using a larger sheet of paper, which should yield more inchies, right? Yeah well, we'll get to that later ... So I start collaging (now remember the color theme of this project is shades of PINK, with some minor black, white or silver the only other colors allowed) with pink shaded papers from my stash (some KoolAid stained sheet music and papertowel bits, some tissue paper and pink mulberry scraps) - and here's where I make a mistake right off the bat.

I end up almost completely covering my beautifully textured shimmery pink watercolor background! I shoulda (coulda, woulda) collaged on the BACKSIDE that had the plain pale pink, and let the pretty side be the reverse which would show nicely under the backplates but! Oh well, too late now, yeah? So I was kinda GRR'd about that for a bit but let's just move on ... Once I finished my collaging - and yes that last picture is it, I didn't do a whole lot of collaging as far as the actual design, more just a buildup of the background - I decided against any rubberstamping or doodling on the whole (though I had originally planned to splatter paint a little bit at this point, to help tie all the collagy-ness together a bit better - but, well, I just forgot. Woops.), so I went ahead and proceeding to the cutting them up stage:

And here's where mistake number two rears it's head. From a 9x12 sheet of paper I should get 108 individual inchies (88 to send in for the swap, plus a nice batch of extras to provide the host some more material for the auction goods) But for whatever reason, the last 2 strips or so do not come out to be a full inch wide. Did I make a mistake and cut a tenth of an inch too big on some earlier strips? Is the trimmer in need of a new (whatever the little rubber cutty-strip piece is called? and the answer there is YES, it is. I think I have maybe one good edge left on it before it's totally shot) Can I just not measure correctly? (also a yes.) So anyhow I'm left with approximately 94 inchies all told and not even all of those are compleeetley 1" square (grr.) so I just barely squeeked in my 88 pieces from that sheet. And here they are, remixed in no particular order:

So that takes care of step one - step two is the addition of my "goddesses" and any further embellishments and doodly funstuff. Which I need to get a move on with since these are due to Ria pretty much by week's end (!) And I'll post that process later ... maybe ...
~ gem ~







UPDATE - Here are the finished inchies!

Watercolor BG with Salt Technique

Finally getting this how-to done! Although the actual process pics and pages I am showing you today were made back in May, I am just NOW getting around to them ... but I am working on another piece right now that started with a "salted" watercolor background paper, so before I post any tutorials for that one I figured I better get the steps for the background technique posted first ...

I always use watercolor paper for these, but I will use anything from the nicer 140lb coldpress to just a sheet from a cheap discount store watercolor pad. I typically make these background papers in batches of 3-6 pages at a time in maybe one or two color variations, on days when I am bored or don't have any other pressing projects to do. (Some days just scream "make backgrounds!" you know?) Then I have a nice stock of papers to go to when I need to start a new project later. (I also do the BGs for several pages in my journal books at the same time, since I already have the stuff out. It's nice to open the journal and have a whole bunch of pre-colored pages to work on)

I assembled the supplies I'll be using and laid them out on newspaper:

Sheet(s) of watercolor paper
Assorted watercolors - tube paints, watercolor cakes in regular and metallic (Coloriffic Metallic Shimmering Watercolors are a poor-mans Lumieres / Twinkling H2O's!)
Paintbrushes - I'm using the 1" hardware store nylon bristle type for the tube colors, and a smaller half inch brush for the cakes
Pan of water and small spray bottle of water
Cuppa salt! I only use kosher salt (the kind you cook with) though probably sea salt or any course salt would work too. You can try table salt but I think all you'll get with that is some pretty sandpaper ; ) WHICH! could be cool in a project too, so - I dunno, try it!

I start by wetting my entire sheet of paper by spritzing with the spray bottle then spreading it with a brush. I apply my chosen colors either straight from the tubes onto the paper or (in the photo shown) by using the pan colors that have been pre-wetted. I just randomly add color with the brush in an abstract fashion, sometimes adding a bit more water, and letting the paints run and bleed into one another until I have the mix and coverage that I want. *With the direct from the tube method, I squirt small dollops of paint randomly about the page and then work them together and into the paper with the brush. I usually let this stage get jussst this side of dry, then I take the spray bottle and spritz a bit to add droplets that will bleed and blend the colors even more. THAT itself will add little waterspots (you can vary them by applying the spray in a fine mist and larger splat-drops - sometimes I get it dowright wet, just depends on my mood really) and if you want you can stop here and let it dry and that will be a very fine BG paper

But I like to get a much more marbled, waterstained effect so this is when I add my salt - while the paper is still a bit damp - just sprinkling small handfuls all around, 'til I'm satisfied with the amount. The salt crystals wick up the remaining "pools" of water, along with some of the paint pigment, in whatever little spot they were sitting. Wait until the paper is totally dry, then brush all the salt off and voila! what's left behind is a neat bunch of little dotted areas where the salt "ate" the paint & water, giving your page a dappled look, and refining and melding some of those areas where your paint colors met and maybe didn't look so blended before.

Here's the end result on the pages I made that day, including one in a journal (that one I didn't salt but used alotttta water in the paint and just let it pool up together - came out pretty cool) Be sure to click on it to view it at fullsize so you can really see the details.

This is my ALL TIME FAVORITE page background making technique, and I hope you enjoyed reading it (or at least understood what I was saying!) and are ready to get out your art supplies and make some BGs of your own ... Have fun painting!


~ gem ~

Zetti Postcard Process

Zetti Postcard 6 (Mine)
Originally uploaded by gemgirlart

I just finished a set of postcards for a Zetti-themed swap at Swap-Bot and thought I'd share my process step by step, so you can see how easy (and fun!) it is to make some really cool art. I originally made 5 cards but I am documenting the process on the 6th card (the one I decided I had to make and keep for myself 'cause I was getting very attached to the others and feeling like I didn't wanna send them off ... ) I added pictured of each step, like I usually do - I tried to keep them small here but click on them to view fullsize and see the details better. So here we go!

I start almost all my collage pieces - but the Zetti-inspired work specifically - with a handpainted background paper. Whenever I have some extra time with no projects going on (or I'm just bored & in the mood to make BGs!) I make a batch of handpainted papers so I always have a stash handy for other projects - most are watercolor or acrylic washes on watercolor paper, the kind I make using the "salt" effect. (If I haven't posted a technique tutorial on that yet, I will try to get one up soon). I cut the paper down to size for whatever I am making, in this case 4x6 cards for a postcard swap. I build my layers starting with the base (the cut-down BG paper, prepainted) then add some rubberstamping, usually with a large background or text-block type stamp, or a foam stamp in one of those architectural designs (fleur-de-lis, gothic crosses, whatever looks cool at the time). I switch off between using ink colors that coordinate or contrast, depending on my mood. Here I am using a golden yellow chalk ink and a large harlequin BG stamp:

Next I move on to the collage pieces. I work with alot of different image sources - from vintage image CDs or collage sheets I have purchased, vintage photos I've found or bought and then scanned, magazines of all kinds: high fashion mags are great for interesting faces and eyes, plus the clothing has cool patterns for turning into crowns or hats or even new "clothes" for your collage person; I love using fishing magazines for fishbodies and eyes; garden mags for birds and butterflies - even junk mail gets saved if it has cool images I can use later. Another great source for images, especially vintage ones is in the Flick'r groups. Now, I don't mean go into Flick'r and just use anyones images whenever you like - I am talking about specific groups that are set up for this and allow access to their images for use in artwork (alot of times they are public domain images that people have uploaded, but please read all the rules of whatever group you join before ya just download & print, mmmkay?)
So! In this case what I've done is cut out some ladies heads from fashion mags and then worked on finding new eyes to go with each face. I look for ones that give the face some odd character or an unusual expression (TIP: turn the new eyes UPSIDE DOWN, it gives them that real weirdly creeped out effect), even if they are too big for the head, you can either leave them if you like that look, or trim them to fit the face, whatever you want. Cutout a bunch of eyes and mix and match them to the faces until you get the perfect one (You'll know, it's the one that grabs your attention and makes you say "Yep, that's it!")




After I get the faces done - eyes chosen and glued down, faces cutout and trimmed down if need be, I sometimes edge them with ink or a Sharpie - then I move on to the bodies. I like to use fish or bird bodies, or cutout some kind of random body-blob shape from a magazine page (look for cool patterns on clothing, textured-y backgrounds like hair from shampoo ads, a blue sky with some clouds, whatever!) I decided to go with text background (from an old Jules Verne biography thats in French) for the vintagey look of the paper, the texture of the text, - it's interesting in itself but still with a sorta neutral nature that will let the rest of the collage stand out. I cut them into triangular shapes and gave the pieces a bit of color with a chocolate brown dye-ink pad, just randomly swiping it around a little and edging all the sides real good. I attach the heads, and look: my little beauties are starting to take shape!




At this point I have my final layout pretty much set; once I get the basic collage shapes done, I can see what their sizes are in relation to each other and I take a minute to arrange them on my background, moving them around a bit, maybe flipping or turning the BG paper to see what looks best. Once I have it in my mind how they'll be going onto the page, I can add the other elements - this way I can make sure I keep everything sized right and in balance. So! I work on finishing the bodies now, adding wings or arms or legs ... I use alot of butterfly wings!, I know! but the trick so they don't always look the same, is to maybe only use half the wing, and just on one side of the body - or, turn them upside down - or, add two pairs together ... you know: be creative! I made a pair of wings out of a dog's ears from a magazine ad (he was a ... what's the one? Papillon? and doesn't that mean butterfly in French? HAHA! figures ...) Also mascara ads are great - the "swipes" from the wand, you cut them into the right shape and tada! black & white striped wings, hooray! Anyway here's what they look like so far (and yes I work a bit messy. It's okay.)




Time for some accessories - if you're a fan of Zetti you know a big part of that is usually the incorporation of crowns and dunce-cap style hats. Now, not everyone likes those and that's cool - I don't think they HAVE to be included to be considered Zetti, 'cause you're supposed to do whatever comes to you creatively and not just stick to some set of "rules", right? Right now I do add them 'cause I DO like them. But you do whatever ya want, ya herr me? Look, see: I gave one gal a headband instead (cause I really loved her red hair and didn't wanna cover it all up)




Nowwwww were starting to look like something, here! In between steps I always put the figures back in their places in my layout, to keep testing if I still like it that way and make sure everything is fitting together well. In this case I actually found something I wanted to change (see if you can spot it in the next picture!), so I made that adjustment and then when I was sure everything was just how I wanted it, I glued the collage pieces down to the background. By the way I am just using a glue stick for all this work, in case you were wondering. And my current favorite is this Extra Strength glue stick by Elmers - it's about an inch wide, goes on sooooo nice and smooth, has excellent adhesion, and - IT'S NOT COLORED BLUE OR PURPLE! (well, actually if you really look at it, it's got a very faint blueishgreen tint, but ... nothin' like those creepy blue or purple ones. ewww.) And now that my pieces are glued down, it's time for the finish work:



What I do is gather up some assorted markers and gel pens - metallic, glittery, opaque white gelpen, neutral brown Sharpies to edge things for shadow effects, pinks for cheeks & lips and maybe even blue or green for eyes and random highlights of color. Then, ya just go to town! Add accents to eyes, eyelashes, paint in cheeks or lips or eyes, add color or lines to wings or hats, add jewels to crowns - whatever you think might look good, probably will! For these cards I went a step further: I scanned a copy of this card I made here (since I am keeping it, no one will get to see this one) and in my image editor I lowered the opacity to about 25% then printed it at 4x6 size, and attached those copies to the back of the cards. It's clear enough to see the image but faint enough that I can write my message and the addresses on the back of the cards and they're still readable. Very last step is to press them flat and make sure that back print is well adhered, I put them in between layers of wax paper and put the whole bunch under a stack of books at least overnight. And since these are postcards that will actually travel through the mail, I will finish them by sealing them with a coat or two of acrylic sealer and let that dry/cure before mailing. The final version is the top-right image up there, the one I have in my Flick'r.

Well! Hope you liked reading my card making process, but what I really hope is that you were inspired to go right now and make your own Zetti collage creation! You can use this technique for postcards, ATCs, 4x4 art squares, journal book pages, decos, pretty much anything you wanna make a collage on or in! So, have fun and see ya soon!

** by the way ~ if you viewed any of the Zetti postcards in my Flick'r, you should know that my two favorites were #1 and #2 ... they came out just a little nicer and brighter, and that's because I started those on a smaller piece of handpainted BG paper, and when I got to the rest I didn't have any more of that exact paper so I had to use a piece that was similar - but it was lighter so those just don't pop as well as the first two. Jus'saying ...

~ gem ~

OH YEAH! and the part I changed in case you didn't catch it - the gal on the far right - I had to change her wings out ... the first pair just weren't working with the rest of the piece once I got that far, so I swapped'em for some yellow one and put them both to one side. Muuuuch better!

Mermen, Merfolk!

Recently I was in the process of making a little Mermen themed deco for an Nness friend when I came across a want in the Deco PIF (Pay-It-Forward) thread for a Merfolk themed deco ... since I was already doing one, I thought - why not another?
The original idea came about when I was making some new handpainted background papers one day and really liked the aqua-y blue green pages I turned out, they seemed just right for a mystical sea creature project ... didn't wanna make yet another Mermaid themed booklet, so I decided to make a Mermen one instead!

Mermen deco ~ handpainted cover papers with metallic watercolor paints, collaged merman -vintage cartoon image of a king or some royal type figure, with real life fish bodyparts from a magazine, coating of hologram glitter paint for shimmery scales effect- Art Deco style letter stickers for cover text

Merfolk deco ~ this scan is of the interior cover page and front of artists blank pages ... Same metallic watercolor painted background papers for the covers, same method of collage for the "merfolk" as above ... I added divider pages made from discarded map papers (tried to go with ones that had mostly water area showing) in between the blank artists pages, and added a different merfolk figure onto each of the map pages ... The front "Artists Welcome" map page I made by typing text onto a transparency sheet, overlaid on a scrap of the cover paper and attached with small brads, then that whole piece was glued down. In my desire to add an artistic element to the dedication page inside the front cover, I glued down small transparent & iridescent star confetti all around the edge - I used jewel glue and weighted it down to press flat & adhere while it dried, but I noticed after scanning that a couple had popped off anyway. I reattached them and covered the whole page with acrylic sealer (which made the gel pen bleed some, dargghh.) and I don't know if that will be enough to keep them on but lets XfingersX that it does! would really be disappointed to find out it arrived all ... de-starred.

I liked that they were both a bit different take on the typical "mermaid" theme, and I hope the recips like the decos they got from me and they come home filled with really fun, unique bits of art ... I think this is going to be it for me for deco making just now ... I have a few more to work some pages in as soon as they come in, and a BUNCH that need to be sent back off into the world to be worked in by others as soon as I figure out who I should send them to ... but me, myself - I'm really deco'd out these days and think I'm gonna be doing more ATCs and getting into that sewing machine ...

Seeya!
~ gem ~